Our Take on François Bellefeuille’s New Show “Sauvage”
François Bellefeuille has made a grand return to the stage after more than seven years. His new show, Sauvage, showcases his enduring comedic talent. Bellefeuille previously delighted audiences with his show Le plus fort au monde, and his latest performance proves he remains a top-tier humorist.
Highlights from François Bellefeuille’s New Show “Sauvage”
On Tuesday night, Bellefeuille captivated patrons at the Olympia with his distinctive energy. He made a memorable entrance to the tune of “Sabotage” by the Beastie Boys. The audience included many of his colleagues, such as Simon Gouache, Louis T, and Laurent Paquin, who came out to support him.
A More Personal Show
Unlike his previous performances, Sauvage takes a more personal approach. While maintaining his signature style, Bellefeuille offers a slightly tempered pace compared to his earlier shows. He humorously reflects on various subjects, from his white hair to his love for bidets and intelligent fridges.
- Age: 49 years
- Previous shows: “Le plus fort au monde”
- Performance venue: Olympia
- Musical entrance: “Sabotage” (Beastie Boys)
Throughout the show, Bellefeuille discusses his family life and recalls his veterinary past. He even entertains the crowd with anecdotes about a bird enthusiast neighbor, humorously referred to as Jacques, who is revealed to actually be Pierre Verville.
Visual Presentation and Themes
Sauvage features a striking star-shaped backdrop that changes colors, echoing Bellefeuille’s unruly hair. He humorously addresses the audience, noting how his hair’s increasing whiteness often leads people to mistake him for his children’s grandfather. He quips about the impossibility of dyeing his hair without causing confusion.
During the performance, Bellefeuille shares laughs about his encounters with salespeople pitching new products, including an intelligent fridge. He jokingly questions the future of technology with comic disbelief.
Memorable Moments and Comedic Triumphs
As the show nears its end, Bellefeuille presents two standout segments. The first recounts a gymnastics lesson he inadvertently joined alongside martial arts champion Georges St-Pierre. The second is a hilarious miscommunication involving a series by acclaimed director Xavier Dolan.
Despite occasional abrupt transitions in his storytelling, Bellefeuille manages to keep the pace lively and the laughter rolling. After a six-year hiatus from new material, Sauvage confirms that François Bellefeuille remains one of the most innovative and reliable comedians of his generation.
